RAFA TORRE FOTO

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0 | 29.9.2011 | 4 months ago


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PERIPLO

Sept 29 2011

CASA LAMM

0 | 16.9.2011 | 4 months ago


0 | 16.9.2011 | 4 months ago


AGATHA RUIZ DE LA PRADA

AGATHA RUIZ DE LA PRADA

0 | 16.9.2011 | 4 months ago


SOFÍA

SOFÍA

0 | 16.9.2011 | 4 months ago



NUMB
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DIORAMA MAMMA

NUMB

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DIORAMA MAMMA

0 | 16.9.2011 | 4 months ago



DIOS LOS HACE
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DIORAMA MAMMA

DIOS LOS HACE

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DIORAMA MAMMA

0 | 16.9.2011 | 4 months ago


MI MAMÁ QUERÍA UNAS SANDÍAS

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DIORAMA MAMMA

MI MAMÁ QUERÍA UNAS SANDÍAS

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DIORAMA MAMMA

0 | 16.9.2011 | 4 months ago


A VISION TOO REMOVED TO MENTION

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DIORAMA MAMMA

A VISION TOO REMOVED TO MENTION

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DIORAMA MAMMA

0 | 16.9.2011 | 4 months ago


POR TODOS LOS MOTIVOS EQUIVOCADOS
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DIORAMA MAMMA

POR TODOS LOS MOTIVOS EQUIVOCADOS

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DIORAMA MAMMA

0 | 16.9.2011 | 4 months ago



“WILL LEAVE YOU IN THE MORNING, WILL FIND YOU IN THE DAY”

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DIORAMA MAMMA

“WILL LEAVE YOU IN THE MORNING, WILL FIND YOU IN THE DAY”

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DIORAMA MAMMA

0 | 30.5.2011 | 8 months ago


0 | 2.5.2011 | 9 months ago


0 | 20.4.2011 | 9 months ago


0 | 20.4.2011 | 9 months ago


The subject of a painting is always the author, the artist. You can only make an illusion that it’s about something other than that. I think that’s what the function of representation is: to give a painting the illusion of a subject. In the end, that’s why I started seeing no reason for me to paint abstractly. Some people would say, “Abstraction is as much a representation as anything else.” But I wanted it to be more simple-minded. Why can’t I just be forthright about saying that I’m the author, that I’m the one who determined it?”
JOHN CURRIN

0 | 4.3.2011 | 11 months ago


“RAFA, NO PUEDES VIVIR AL ANTOJO DE LA NADA”
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DIORAMA MAMMA

“RAFA, NO PUEDES VIVIR AL ANTOJO DE LA NADA”

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DIORAMA MAMMA